True Wireless Stereo or TWS earbuds continue to evolve every year, but their charging cases have mostly been nothing more than portable battery packs. In 2022, JBL showed that there’s so much potential in those pebble-shaped devices when it slapped a touch screen on them. That may look fancy and cool, but some might think it’s also just a gimmicky feature. It is, however, just the tip of the iceberg, because the second-gen screen-toting Smart Charging Case that comes with the new JBL Tour PRO 3 definitely offers more, proving that there’s plenty of room for improvement and creativity if you’re willing to also pay the literal price.

Designer: JBL

A touch screen on an earbuds charging case is admittedly more of a nice convenience than a killer feature. It allows you to control playback, screen calls, and view media information without having to pull out your phone. It’s definitely an eye-catching design that made JBL’s earbuds look like they’re from the future, but the capabilities of the next-gen charging case can be qualified as a necessity, especially for globetrotters and frequent flyers.

The JBL Tour PRO 3’s second-gen Smart Charging Case can function as a wireless audio transmitter, practically replacing the role of a Bluetooth dongle. Simply plug the case into a USB or analog socket and have the audio stream to the earbuds instantly and with lower latency than Bluetooth. This feature was made with in-flight entertainment systems in mind, giving travelers more flexibility and peace of mind, knowing they don’t have to rely on fickle and unstable Bluetooth dongles ever again.

The Tour PRO 3 charging case is also one of the first few to support the new Auracast technology. The case becomes the source of an audio broadcast, allowing other Auracast-compatible earbuds, earphones, and speakers to share and enjoy the same tunes. You can also join other Auracast broadcasts by tapping on the case. Of course, there’s also a measure of privacy with a password to keep random people from joining your party.

The JBL Tour PRO 3 earbuds themselves won’t be overshadowed by its charging case, boasting a new head tracking technology that makes audio sound like they’re coming from outside your head and stays fixed in place no matter how much you swing or turn your head. For all these advanced features, however, the buds will set you back around $334, which isn’t exactly a small amount. The JBL Tour PRO 3 will arrive in mid-September bearing Black and “Latte” colorways, though availability in the US has not been announced yet.

The post JBL Tour PRO 3’s futuristic charging case can perform feats no other case can first appeared on Yanko Design.

We live in a three-dimensional world and see in three dimensions, and yet the computers and mobile devices we use every day are confined to flat, 2D space. Mixed reality and spatial computing are trying to bridge that gap, but they still project flat virtual objects in the real world and, more importantly, require wearing goggles or headsets. In fact, most stereoscopic 3D experiences require some sort of eyewear, at the very least glasses that guide images to the correct eye. That is until monitor makers have gotten smarter and have started to implement 3D displays that don’t need glasses to work, like the new Samsung Odyssey 3D shown off at Gamescom 2024 this week.

Designer: Samsung

Our eyes see in 3D because they can view objects at two different angles due to the space between them. Stereoscopic 3D tries to mimic our innate binocular vision by projecting two different images, shifted slightly at an angle, which are then sent to the right or left eye as necessary. This re-direction requires polarizing filters to work, which is why people have to wear glasses when watching 3D movies. Impressive as the experience might be, it’s definitely inconvenient, especially for those that wear prescription glasses, and can’t be used for general-purpose computing, until now.

Image courtesy of SamMobile

The Samsung Odyssey 3D is the latest in a new breed of computer monitors that promise this same stereoscopic 3D experience without having to put anything in front of your eyes. The monitor has built-in stereo cameras that track the movement and position of each eye. View mapping creates two sets of images which are then displayed separately to each eye thanks to a lenticular lens on the front panel. It creates the same effect of seeing floating 3D images but without the hassle of glasses or headsets.

The monitor is primarily targeted at gamers, which is why it boasts features like 4K resolution, a fast 1m gray-to-gray response time, and a 165Hz refresh rate. Of course, the need to see 3D images as they truly are isn’t just limited to entertainment, since those creating assets for these games will also want to check if they’re 3D models are displaying correctly. Monitors like the Samsung Odyssey 3D will eventually become an invaluable tool for designers, artists, and content creators who might want to work in 3D space right from the start.

Of course, this glasses-free 3D monitor also functions as a 2D monitor, and you can seamlessly switch from one mode to another, depending on your use case. It also features an ergonomic Height Adjustment Stand, tilt capabilities, as well as HDMI 2.1 and DisplayPort 1.4 connectivity. Samsung hasn’t disclosed when the Samsung Odyssey 3D will launch and at what cost, but considering this monitor was first teased back in January at CES 2024, it probably shouldn’t be long now.

The post Samsung Odyssey 3D offers a glasses-free 3D experience for gamers and creators first appeared on Yanko Design.

When people think of musical instruments, they most probably think first of traditional ones like guitars, pianos, and violins. These days, music can come from a wide variety of sources, sometimes generated by unexpected things, like the flow of fluids in plants. There is going to be some debate on whether these random arrangements of tones can qualify as “music,” but there will be little argument that the sequences they produce can be melodic and even pleasant. Plus, the way they’re generated can be just as interesting as the sounds they make, like this drum-like cylinder that produces a curious mix of synth tones by moving magnetic balls and objects around its surface, almost like playing with marbles and sticks.

Designers: Nicola Privato, Giacomo Lepri

Thanks to modern electronics, software, and a bit of AI, it’s nearly possible to use any phenomenon to generate different kinds of sounds and combine them in a harmonic way. This opens up a world of possibilities in how instruments can be designed, from passive sources like the biological processes of plants to more actively controlled machines with knobs and sliders. Stacco is an experimental instrument that mixes these two, using magnetic forces influenced by objects in your hands.

At the heart of Stacco, or rather beneath the surface, are four devices called magnetic attractors. These can detect the changes in the magnetic fields around them, which is then processed by artificial intelligence called Neural Audio Synthesis into sound or data that can further be manipulated into music, mostly of the synth type. What makes Stacco interesting is that you can use a variety of objects to affect these attractors as long as they generate some amount of magnetic field.

You can, for example, push or roll around four magnetic marbles to produce sound. Ferromagnetic objects like nails, rods, and rings can also be used to “push” the magnetic fields around. You’re not limited to just moving the balls on the surface of the drum-like instrument either. To some extent, you can also pick and drop objects to have the same effect, though probably on a smaller or weaker scale.

This odd musical instrument not only offers a more interactive experience, it also changes the way you can record or compose music. Since the tones are generated by moving objects across the surface, these can be noted down as lines, circles, and other figures that can result in beautiful geometric patterns. Musicians can then just simply trace those lines to recreate the same musical score or simply let it guide their hands to create variations and discover new melodies in the process.

fot. Marta Zając-Krysiak

The post Magnetic instrument presents a more playful way to create music first appeared on Yanko Design.

What is old is new again, or at least that’s the slogan for this wave of nostalgia trips washing over multiple industries today. Vinyl is selling again, Polaroid is now spelled “INSTAX,” and consoles that were famous before you were born are landing on shelves in miniature form. Interestingly enough, these retro designs prove just how powerful and lucrative nostalgia can be, especially if you can spin it in a way that makes sense in the present and for the foreseeable future. This recreation of one of Atari’s lesser-known home consoles, for example, doesn’t just pay homage to the past but actually supports the games of that era while also embracing titles that were made in the present for this decades-old platform.

Designer: Atari

Unlike its successful predecessor, the Atari 2600, the Atari 7800 from 1986 just came at the wrong time, just after the video game crash of 1983 and on the same year that the Nintendo Entertainment System, a.k.a. the Nintendo Famicom, launched. Regardless, the home console, which supported Atari 2600 cartridges to fill up its library, managed to make it into the annals of video game history, a chapter that Atari is now trying to revive in an interesting way.

The Atari 7800+, like many retro recreations, is a smaller version of the original, designed to better fit today’s standard housing situation. It sticks closely to the shape and aesthetics of the 7800, down to the color spectrum strip that was the hallmark of the European version of the machine. It supports HDMI out and displaying games in the original 4:3 aspect ratio or switching to widescreen for modern monitors. Rather than coming with pre-installed games like other retro consoles that simply use emulators, the 7800+ offers an almost exact replica of the original to the point that you can run both 2600 and 7800 cartridges, presuming you have those lying around.

That’s not exactly a large selection of titles, so the Atari 7800+ also supports third-party Atari games as well. The company takes it even further and actually supports the official adaptation of some of these games sold as 7800+ cartridges. That includes Bentley Bear’s Crystal Quest, a homebrew Atari game developed in 2014 as an unofficial successor to the 80s Crystal Quest. This is the only cartridge that comes with the package, and the other nine titles will be sold separately at $29.99 a pop.

The Atari 7800+ also comes with the CX78+ controller, a wireless remake of the radical two-button control that Atari introduced with the 7800. There’s also a CX40+ wireless joystick available for purchase if you prefer to play that way. Both controllers are compatible with the original 2600 and 7800 and can also be hooked up to any PC via the USB receiver. The Atari 7800+ is available for pre-order now for $129.99 but won’t ship until Winter this year.

The post Atari 7800+ is a retro mini console that looks forward and backward first appeared on Yanko Design.

Grotesque alien creatures will probably be trending again thanks to the revival of a long-running movie franchise, but all extraterrestrial creatures will look horrifying. They might be breathtaking, defying all the preconceived notions of our limited human minds. They might not even be organic, at least as defined by what we know on earth. If we ever encountered an inorganic, metallic alien that didn’t look like any biped or quadruped Earthbound creature, it could probably look like this metal stool with its symmetric tentacles that seemingly invite you to approach and, well, sit on it for your comfort.

Designer: Riley MacKay

Alien references aside, this metal and wood stool definitely doesn’t look like your typical piece of furniture. There are technically still four legs, though they look double that number because of how each leg splits into two. The legs seemingly turn and swirl around the center of the stool, giving the impression of tentacles moving around a metallic creature.

Unlike what you’d see from a jellyfish or octopus, however, there is a strict symmetry to the stool’s geometric design. The legs protrude at a specific angle away from the body and to the side, creating the shape of a spinning star when the stool is viewed from the top. This design provides both visual and mechanical balance, giving the stool stability despite its seemingly thin and flat legs.

There is also a sustainability angle to the Metal Stool, though perhaps a bit indirectly. The legs are made from sheet metal while the seat is birch wood, both of which can be sourced from sustainable or renewable options. The minimalist design could mean that these parts can be taken from factory offcuts as well, providing a new purpose for otherwise discarded and wasted materials.

The Metal Stool is a prime example of a simple and subtle design that manages to look quite stunning just by shifting the formula just a little bit. Whether it reminds you of aliens, jellyfish, or abstract art, the stool has the same effect of catching your attention and adding a unique character to any space. And, of course, you can sit on it as well without fear of toppling over or, worse, being taken by metal tentacles into the depths of a dark void.

The post Alien-like metal stool concept inspires awe rather than fear first appeared on Yanko Design.

Handheld gaming consoles are rocking the market again, in no small part thanks to the success of the Nintendo Switch nearly eight years ago. But for all the technological marvels these powerful computers bring today, they’re really just rehashing time-tested formulas, at least when it comes to the way we see and interact with games. Just like with much of computing, we’re simply seeing images rendered on a flat screen rather than the way we naturally see and interact with the world in three dimensions. Mixed reality and spatial computing are trying to challenge the status quote when it comes to typical computing scenarios, while this concept for a unique kind of console proposes a literally different perspective when it comes to the video games we play.

Designers: Tatsuya Kato, Shion Ito, Toshikatsu Nakamura, Toshiki Sato

Uplight definitely looks like no other gaming console, not just because of the different controller configuration but primarily for the lack of a screen. The design concept flips the convention of game design, with the experience being designed to conform to the unique traits of the console rather than the other way around. In this case, the unique characteristic is a projector hidden in the base of the console that displays the game on three-dimensional acrylic screens that can take on different object shapes specific to the nature of the game.

Think about those 3D puzzle games that require you to rotate a cube around to see it from different sides to solve the puzzle, except that cube is a literal and physical cube existing in the real world. This cube, made from translucent acrylic, is mounted on top of the Uplight console and displays the game projected into it. Players can use the console’s unusual controls to move the displayed image around or, better yet, use their own hands to actually turn the cube.

The 3D acrylic screen can be any shape, in theory, depending on the game experience being designed. It could, for example, be a giant translucent jellyfish for an aquatic adventure game, or even a tree branch for a game related to planting or vegetation. The possibilities are nearly endless, limited only by the angle that the integrated projector can reach and, of course, the size of the console.

That said, such a unique system will require games specifically designed for it, which also means designing new experiences that involve three-dimensional thinking as well as direct tactile interaction. Very few of today’s games have that, which will definitely challenge the creativity and ingenuity of game designers should Uplight ever become an actual commercial product.

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PROS:

• Handsome, minimalist, and lightweight design


• Impressive performance packed in a compact size


• Gorgeous 3K OLED screen for both viewing and color-accurate work


• Incredible value for creative professionals on the go

CONS:

• No full-sized SD card reader, only one USB-A port


• Display refresh rate is only up to 60Hz

RATINGS:

AESTHETICS

ERGONOMICS

PERFORMANCE

SUSTAINABILITY / REPAIRABILITY

VALUE FOR MONEY

EDITOR'S QUOTE:

The ASUS ProArt PX13 makes the impossible possible, delivering unbeatable performance and uncompromising mobility in an elegant and accessible package.

The nature and execution of work have changed significantly in the past years, especially for those who use computers all the time. Mobility and flexibility have become an important part of the business, sometimes requiring people to be able to take their work anywhere life leads them. At the same time, it also allows people to do their work in the best possible location for them, which isn’t always the office. To support these new work arrangements, computer vendors have been trying to shove more power into laptops without turning them into gargantuan machines that would force people to leave them in the office anyway. It’s a delicate balancing act, one that very few brands have successfully pulled off, but the ASUS ProArt PX13 makes that very promise to one of the more discerning and particular markets. Is the ProArt PX13 able to deliver that promise of unbounded creativity anywhere or does it make too many compromises along the way? We give it a flip and a spin to bring you that answer.

Designer: ASUS

Aesthetics

The first impression you’ll have when seeing the ASUS ProArt PX13 is how compact and thin it is, at least for a supposedly powerful laptop aimed at creative professionals. Your second impression will be how sleek and elegant it looks with its deep, all-black design. It’s an aesthetic that doesn’t scream at you but instead talks mellowly, fitting a professional product. There are barely any markings on the laptop’s cover; no fancy RGB lighting at its sides, protruding edges, or sharp angles. Just one truly black slab.

Unlike other laptops that advertise a black colorway, the ASUS ProArt PX13 really walks the walk thanks to the company’s Nano Black coating that almost poetically matches the deep blacks of the OLED screen on the opposite side. It’s admittedly a matter of taste, as some will prefer the luster of silver metal like those on MacBooks or Dell, but its more subdued aesthetic makes it less distracting as well. Thankfully, that same Nano Coating also prevents fingerprint smudges so there’s very little that will stain that darkness.

Minimalist doesn’t mean plain, however, and there are a few accents that bring out the ProArt PX13’s designer-centric character. The ProArt branding, for example, is smooth and a little bit reflective, tastefully set against the blackness of the cover. The vertical stripes on the hinge are supposed to be a nod to pro camera designs, but even if you don’t make that connection, they’re still an interesting touch. All in all, the ASUS ProArt PX13’s minimalism puts the focus not on the laptop but on the creator and the content, while also providing a dark, blank canvas for owners to use to let their own creativity shine through if needed.

Ergonomics

The ProArt PX13 is hardly the thinnest laptop, whether traditional or convertible, but it’s not terrible either for a 13-inch. When you consider that it packs enough hardware to cater to creative professionals and even some gamers, you’ll even be amazed at how ASUS managed to keep the numbers down to an accessible level. At 17.78mm (0.7 inches) thick and 1.38kg (3.04 lbs) heavy, this is something you can easily stow in your bag and be on the move in a flash.

This is very important when you consider that ProArt PX13 is more than just a laptop. It can also be a tablet you can draw on, whether on your table or on your lap, as well as a “tent mode” presentation and entertainment display. Changing forms is as easy as folding the screen back and forth, and the sturdy 360-degree hinge makes sure that it stays open at whatever angle you leave it. At the same time, however, the laptop’s weight is distributed properly so that you can open it up with just a single finger, lifting the lid while the body anchors it down.

The typing experience is pretty good as well, with well-spaced keys and a good 1.7mm travel. The cursor keys are squashed, of course, but that’s nothing new nor is it extremely uncomfortable. The touchpad is a decent size, but its mechanical design might disappoint fans of more haptic touchpads.

Performance

Right off the bat, the ASUS ProArt PX13 has some of the best hardware you’ll find in a 13-inch laptop. It’s one of the first to utilize AMD’s new AI-powered Ryzen AI 9 HX 370, giving it a wide lead in AI operations. This is paired with an NVIDIA GeForce RTX 4050, like in our review unit, or an RTX 4060. Either way, you’re getting a powerful graphics processor that, to no one’s surprise, handles AI skillfully as well. Benchmark numbers don’t always tell the whole story, but they’re impressive nonetheless. Whether the laptop is plugged in or running on battery, it will meet almost anything you can throw at it, whether it’s Photoshop, Da Vinci Resolve, or Blender.

Gaming is a bit of a different issue, though the ProArt PX13 is definitely capable. You will definitely feel the heat when pushing the system to its limits, but the cooling system does a stellar job of regulating its impact. The fans are definitely audible under heavy loads, but they quiet down just as quickly when no longer needed. And they’re barely noticeable at all if you’re just doing basic computing tasks like browsing the Web or typing up documents. The biggest setback when using this machine for gaming is actually one of its biggest strengths as well: its screen.

The 13.3-inch OLED touch screen is simply stunning, with rich colors, deep blacks, and a sufficient amount of brightness so that you can even work outdoors under overcast skies. The display is Pantone-validated and supports a wide gamut of colors, an important detail for graphics artists and content creators who need color accuracy more than anything else. The screen has a 3K resolution of 2880×1800 in a familiar 16:10 aspect ratio and a refresh rate of 60Hz. The latter is what makes the ProArt PX13 less suitable for gaming, at least for those who live and breathe 120Hz or higher. It’s not totally unusable for fast-paced games, and it completely marks the laptop as a machine primarily for work, with just a bit of gaming on the side.

Battery life for the ASUS ProArt PX13 is so-so. Given its size, the 75WHr battery it packs is actually generous, but it’s offset by the more powerful hardware. On Eco/Power Saving mode and average computing tasks, it can last an average of 8 hours, definitely shorter once you push the hardware to the limit. It ships with a 200W power brick that’s large but not gigantic. It can charge over USB-C using a 100W charger, but you’ll probably bring the official charger with you anyway unless you’re traveling extra light.

Port selection is on the light side as well. It has most of the important basics but is also oddly missing a few ones. There are two USB 4.0 Gen 3 Type-C ports and a single USB 3.2 Gen 2 Type-A port, one HDMI port, a 3.5mm headphone jack, and the proprietary DC-in charging port. There’s a microSD card reader but not a full-sized one, which is strange considering how digital cameras still mostly use SD cards, not their tiny cousins. We could always do with an extra USB-A port, especially if the only available one is already in use with an Ethernet adapter because the laptop doesn’t have its own RJ45 port.

The ASUS ProArt PX13 is overflowing with features designed for creative professionals, from hardware to software. There’s the somewhat odd DialPad in the order of the touchpad, giving quick access to actions like changing brush sizes in Photoshop, scrubbing through timelines in Premiere, and more. Not everyone will love this convenience, and it is fortunately easy to disable it completely. From the ProArt Creator Hub which has all the settings you can tweak for performance or monitor calibration, to the AI-powered software that takes advantage of the combined strength of AMD processors and NVIDIA graphics, the ProArt PX13 offers a multitude of tools to assist content creators in whatever kind of work or problem they’re facing.

Sustainability

ASUS has been making big waves when it comes to its commitment to helping protect the future of the planet, from the use of recycled materials in its products to the decrease of plastic in its packaging. It might not be visible or advertised for the ProArt PX13, but we’re banking on the company giving it the same treatment even in small amounts.

In terms of prolonging the life of the laptop, ASUS definitely took steps to make it a bit easier. The bottom plate can be removed easily using a screwdriver, except for the middle screw that’s also covered by a sticky rubber material. The NVMe SSD storage, battery, and Wi-Fi 7 module are easily replaceable, which are some of the most common components that need to be repaired or upgraded. Sadly, the LPDDR5X RAM is soldered to the motherboard, but having 32GB of memory isn’t that bad anyway.

Value

The ASUS ProArt PX13 is available in two configurations, with the RTX 4050 and 4060 being the only real difference between the two, as well as the Windows 11 Home and Pro licenses. Given the performance difference between these two very capable NVIDIA graphics processors, you couldn’t go wrong if you picked the base configuration that goes for only $1,699.99. At that price point, it already surpasses larger laptops and can hold its own against a MacBook that’s nearly double its price.

It’s pretty mind-blowing how much ASUS was able to cram inside the compact 13.3-inch body of the ProArt PX13 without hitting any significant compromises. It’s hardly the best gaming laptop or the most powerful movie maker, but what it offers is the flexibility to take your work or game anywhere without missing a bit. In that regard, it is pretty unrivaled, making it a truly tempting device for creative professionals, even those who mostly stay at their desks.

Verdict

The way we make content these days has changed greatly over the past years. Videos and graphic designs no longer have to be made on hulking towers tethered to desktops. Sometimes, the ability to quickly churn out content at a moment’s notice has become more important than production-level quality that will take hours on a regular laptop. Then again, why do you have to choose when the ASUS ProArt PX13 can give you the best of both worlds? Powerful, portable, and flexible, this convertible laptop delivers the tools that creative professionals need to bring their work to the next level, whenever inspiration strikes, wherever they are.

The post ASUS ProArt PX13 Laptop Review: An Agile Content Creator’s Best Friend first appeared on Yanko Design.

Even with the growing power of smartphone cameras, the discrete camera market hasn’t yet folded as many once prophesied. Professional cameras like DSLRs are still unmatched in power and flexibility, while the retro and nostalgia craze has actually carved a niche for Polaroid-style instant cameras. The most popular format for the latter is small vertical cards that fans love sharing or sticking on walls and fridge doors, but those square-shaped photos (not including the wide white borders) don’t exactly have enough room for everyone or everything you might want to capture. For that, you’ll need a wider picture format, almost like the stereotypical 4×6, which is something that Fujifilm’s latest INSTAX design is offering, allowing you to snap and share those once-in-a-lifetime moments with more friends.

Designer: Fujifilm

There’s just something about these instant cameras that tickle people’s fancies, regardless of whether they lived through the age of Polaroids or not. Rather than being seen as a weakness, the lack of digital features and the limits of printed photos actually add to the charm of the experience. It makes each moment even more ephemeral and precious, which is why you’d want to include as many people or as much of the scene as you can.

The INSTAX WIDE 400 provides that breathing room with its wide photo format, almost twice the size of regular INSTAX photos. That also makes the camera twice as large, as it needs to fit the cartridge holding the ink-free sheets of photo frames. That said, the camera is also designed for comfort despite its size and heft, and its traditional design makes it easy to grasp and hold even with a single hand.

One of the biggest strengths of the INSTAX cameras is their extreme ease of use. Simply turn them on, which involves turning the central dial to the left, and you’re good to go. But since it was specifically designed for group photos, the INSTAX WIDE 400 has a unique feature that lets you turn a lever to set a timer for up to 10 seconds, giving you enough time to position yourself or prepare wacky poses. It doesn’t get simpler than that.

Admittedly, the INSTAX WIDE 400 is aimed at a very niche audience, but one that really digs this kind of experience enough to fork out around $150 for just the camera alone. That said, Fujifilm also knows it’s not everyone’s cup of tea, which is why it has a wide range of INSTAX products ranging from smaller instant cameras to portable photo printers that try to offer the best of both analog and digital worlds.

The post INSTAX WIDE 400 instant camera leaves more space for your friends first appeared on Yanko Design.

The new era of video meetings has put webcams in the spotlight. At the same time, it has also become more quickly apparent that webcam technologies and designs didn’t really grow alongside the rest of the computing industry, seemingly stuck in the requirements and conventions of the early 2000s. But while their capabilities have indeed caught up to modern needs, their designs remain eyesores sitting on top of many monitors and laptop screens. This design concept tries to buck the trend by presenting a webcam that isn’t just useful or privacy-respecting but also carries a character of its own.

Designer: André Terchanian

There’s a principle in psychology that says that something that’s always in our vision can affect our minds in sometimes subconscious ways. That’s why sticky notes surrounding your computer monitor can be good at nagging us long after we’ve clocked out of the office, which can be a good or bad thing for your productivity. We also put things that delight and inspire us always within our field of vision, but things that irk or discomfort us can bring our mood down if we have them in our faces long enough.

Webcams are meant to be discreet and almost invisible, but except for built-in cameras in laptop monitors, the vast majority of them are perched on top of our screens, often at eye level, so there’s absolutely no way to ignore their presence. It’s not that these devices are unappealing, though some might indeed fall under that category, but many of them are plain, uninspiring, and sometimes at odds with our carefully designed desk or computer motif.

MILO is a design concept that tries to make the webcam look a little more alive and distinctive, and it does so by simply putting a ball on a stick. A spherical webcam isn’t new, but most of the existing designs often use tripods, wide mounts, or clips to stay upright. In contrast, MILO has a stem with a spherical base that can stick to the back of any monitor using an adhesive surface and suction force to stay in place. This makes MILO look almost like a robot ball or a robotic eye that’s peeking from the top of your screen.

This small design change also brings some important benefits to its functionality. For one, you only need a single USB-C cable coming out of its base, away from sight and tangles. Another is that the magnetic base can rotate in a 360-degree direction, letting the webcam swivel downward if you want to block its view and prevent accidental recording. MILO’s design is also compact and convenient to carry around, allowing you to set up your mobile office anywhere and take up video calls with a quirky-looking webcam sticking out of your laptop lid.

The post Spherical webcam concept adds a playful personality to a utilitarian product first appeared on Yanko Design.

Apple’s embrace of wireless charging technologies eased one of the most common annoyances for mobile devices: tangled charging cables. With MagSafe and magnetic wireless charging, charger designs have become more varied and interesting, but the technology still pales in comparison to wired charging in terms of speed. Unfortunately, USB cables are still a critical part of modern computing, whether it’s for charging or data transfer, which means that tangled cables, plural, are also a necessary evil. This seemingly futuristic solution may have taken inspiration from the infamous “self-lacing shoes” from the Back to the Future film, but the innovation and convenience that this self-coiling cable offers is far from being just science fiction.

Designer: Design 1st for lūp

It is the cursed nature of any loose, long, and flexible material to get tangled with itself as well as other similar objects. There is no shortage of cable organizing accessories and designs to alleviate that headache, but these solutions exist outside of the cables themselves, which means they could either get lost or have to be left on your desk. It would definitely be great if these cables could organize themselves or, at the very least, stop getting mixed up with other cables or other things in your bag or pocket.

lūp delivers that kind of feature by using the same technology found in wireless chargers today: magnets. With a flat design, the cable can easily wind itself, creating a compact coil that won’t become loose by jiggling in your bag or pocket. It might sound like a simple solution, but the actual implementation was anything but. Just like with wireless charging, magnetic fields can actually interfere with those electrical charges, especially ones that are carrying data across the wire. lūp, thus, needed to make extra sure that those magnets wouldn’t make the cable pretty useless.

The magnetic cable is already great on its own, but it also behaves well when used with others of its kind. Rather than having cables jumbled and tangled when charging multiple devices, the flat cables can neatly stack on top of each other, making it look like a single thick cable splitting off into two or more plugs. lūp also conveniently stays coiled in your pocket, making it the perfect partner to take with you anywhere. It’s not exactly cheap, though, but the peace of mind that lūp offers might very well be worth that price tag.

The post Self-coiling charging cable solves the smartphone industry’s biggest headache first appeared on Yanko Design.